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slodide spencer chamberlain interview

By TOP8SCENE | Photos by @zachxburns | Dec 29, 2025

An Interview With Spencer Chamberlain
on slo/tide and The Blur.

slo/tide's The Blur hits differently.

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For many fans, Spencer Chamberlain’s voice is likely best known as the frontman of Underoath, and he has spent two decades screaming into the void for those who needed it most with the Florida-based powerhouse. Stepping away from the intensity of Underoath, Spencer’s solo project slo/tide released its debut album, The Blurin June of this year. The record drops the breakdowns for breathing room as slo/tide leans into a sense of vulnerability, creating an atmosphere unlike anything we’ve ever heard. Spencer has never been afraid of emotional honesty, but The Blur presents just that in its most exposed form yet; the project carries an emotional weight that listeners can connect to. slo/tide delivers a deeply personal album that trades all of the chaos for vulnerability and hits just as hard. 

 

So, how did this solo project come to be?

“Well, it’s a bit of a long story. I've been making music my entire life, pre-Underoath, during the breakup, and currently. During Underoath's breakup, I was doing a duo project called Sleepwave. During that time, I had a manager push me out to LA to write with a bunch of strangers, which at the time was unheard of. I ended up making some cool stuff that never came out, but it did inspire what I wanted to try next sonically. Fast forward through the UO reunion, and Sleepwave disbanding, to around COVID hitting, during that time, I was writing a lot of music for/with other artists, and just decided, hey, why not make an album for me. And that’s what I did, I made something I wanted to hear in my car that wasn’t ‘heavy’ ”.

 

Rather than setting out to make a “solo album,” Spencer approached slo/tide as an experiment, one rooted in curiosity and a love for music in all of its forms. What started as something just for himself slowly became something worth sharing. As he puts it:

 

“I wanted to use that side of my brain because I do love all sorts of music, of all shapes and forms. I at first had no intention of putting it out. It was just a record I made, but I eventually decided to obviously release it”.

 

Sometimes an album is born from intention; other times, it starts with boredom, curiosity, and a song that refuses to stay forgotten. For Spencer, slo/tide found its sound in a song that initially lived in limbo, called 'Paranoid':

 

I wrote this song with my friend Nick Bailey, which I never used. We were bored and made this song called ‘Paranoid’ that had this kind of indie surf pop feel that I loved. Eventually, I just wanted to make a record that had this vibe and leaned more on a vocal melody than a guitar riff”.​

Slo/Tide The Blur

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slo/tide marks an audible shift towards a softer, more introspective sound with The Blur. Chamberlain looks at this project as an opportunity and outlet to be openly creative and move away from the sound fans have experienced with Underoath and Sleepwave. While slo/tide trades heaviness for more atmospheric soundscapes, Chamberlain sees the project as an evolution rather than emotional exposure.

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“Honestly, I don’t even think about it. I’m always working on something, and I guess I get bored making the same type of stuff over and over, so I’m always looking to expand. For example, I’m a decent way into writing the follow-up album, and it’s definitely the same band but still WAY different, way more experimental and bizarre”.

 

When it comes to the songs on The Blur, he credits 'Too Much Weight' and/or 'Crazy' for paving the path for this album. While fan favourites often take on a life of their own, the songs that matter most to an artist aren’t always the ones that get the loudest reaction. For Chamberlain, pride in The Blur comes from tracks that still hit just as hard when he revisits them now:

 

“Weirdly enough, ‘Rather Be Blind’ and ‘Battlefield’, which aren’t the most popular ones on there, but definitely still feel those songs when I play them now. ‘Battlefield’ is just out there, and that’s my shit, the kind of thing I wanna do more of in the future”.

 

While Underoath recently finished their European tour before Christmas supporting LANDMVRKS, there's one thing you can count on from Spencer when it comes to slo/tide and music from him in general:

 

“I’ll always be making music and trying to play it in front of live audiences”. slo/tide will be playing a show on February 20th at The Abbey in Orlando alongside Dead Air Divine and Twin Rova, but it doesn’t stop there. Spencer added there will be “more shows, more music, hopefully more visuals as well.”

 

TOP8’s Take?

We appreciate the evolving sound Spencer is bringing to the world through slo/tide. It shows he isn’t confined to one box and is always pushing himself creatively. The music comes from a genuine place; this project is refreshing and authentic, which is something you can hear while listening to the album. 

 

Our faves? ‘Coffin’, a song everyone can relate to that touches on realizing someone isn’t good for you anymore, and having that one last time together before putting the nail in the coffin. â€‹We also really dig ‘Lay Low’ for its super chill and summer feel.

 

We can’t wait to see what’s in store for the next era of slo/tide. Go spin The Blur and get whisked away into another world. 

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